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Case study

MultiVerse '21

An event brand has about three weeks to exist. It is seen on a phone before it is ever seen on a wall, and it ends its life on a wristband at a door. So the identity had to work at story size, at poster size, and at twenty millimetres, without being redrawn for any of them.

Client
The Decibel Collective
Sector
Music festival
Promoter and label
The Decibel Collective
City
Lahore, Pakistan
Year
2021
Date on the bill
3 December
Lineup
11 artists
Scope
Posters, social, merchandise, on-site

MultiVerse '21 was a one-night music festival in Lahore, put on by The Decibel Collective, a Pakistani label and event promoter. Eleven artists on the bill, set for 3 December, with a guestlist that closed on 21 November and a room that could only hold so many people.

That last detail shaped the work more than the name did. This was not a brand that needed to last a decade. It needed to be recognised twice in three weeks, on a phone, by people who were deciding whether to keep a Friday free.

A label throwing its own night

When the promoter is also the label, the event is not a neutral venue booking. The bill is close to a roster, and the night is the label saying this is what we sound like now.

That set the one rule the identity is built on: MultiVerse had to look like an event, not like a record sleeve. The Decibel Collective's name belongs on the night, but the artwork could not become a label logo with a date attached, or the poster would read as an ad for the company rather than an invitation to a room. So the collective signs the work and the event owns the image.

Lahore, and why the guestlist is on the poster

A city decides how an event is sold. Lahore's electronic scene in 2021 ran on private rooms and word of mouth rather than on ticket links, which is why `[ guestlist. NOW OPEN. ]` and `( until 21.11. )` are set on the artwork instead of a "buy tickets" button.

That is also why capacity is stated on the announce rather than buried. In a guestlist city, a limited room is not a disclaimer, it is the offer, and putting it on the poster in the accent colour turns a constraint into the reason to reply today.

What the work had to do

  • Be recognised at story size. Most of the audience would only ever see it at 1080 by 1920, held at arm's length, for under two seconds.
  • Survive paste-up. The same artwork had to read on a creased sheet on a concrete wall, seen at an angle, in passing.
  • Reach the door. Accreditation, wristbands and merchandise are part of the identity, not an afterthought once the posters are approved.
  • Change its message without changing its face. Announce, then lineup, then guestlist open, then guestlist closing, all from one artwork.

The decisions

One held image instead of a universe of them, because the name was already doing the "infinite" work and a second voice saying it would have been noise.

The date set larger than the name, because a first-year event sells a night, not a brand.

A single bracketed line as the only moving part, with exactly one word in accent orange, always the word that asks for an action.

The year dropped from the wordmark on anything anyone keeps.

What it comes down to

An event identity is judged on a wall at ten metres and on a wrist at ten centimetres, by the same person, on the same night. Most of the work here was making sure those two are recognisably the same thing.

The work

The MultiVerse '21 announce poster pasted on a concrete wall beside a metal screen
Where the poster actually lives. Pasted, creased, seen at an angle in passing, which is the condition the layout was drawn for.
The announce poster: 03 12 ghosted across the top, the MultiVerse '21 wordmark centred, an astronaut inside a terracotta circle
The date is the largest thing on the sheet and the name is one of the smallest. People buy a night before they buy a brand.
The lineup poster with eleven artist names set vertically down the left of the astronaut
Same artwork, second job. Turning the names ninety degrees fits eleven of them at a readable size without cropping into the image.
Two phones showing Instagram story versions, one with the date set vertically, one reading guestlist now open until 21.11
The story crop is not the poster shrunk. The date runs vertically up the edge so the middle of the screen stays clear for the thumb.
A white tote bag printed with the MULTIVERSE wordmark and the astronaut in the terracotta circle
The apostrophe-21 comes off the merchandise. A tote outlives the year printed on it, so the year is not printed on it.
A media accreditation badge on a navy lanyard, laid on a split terracotta and slate background
Media accreditation. The same circle and wordmark, reduced until only the two strongest parts of the identity survive.
A festival wristband on a wrist, printed with the wordmark over the terracotta gradient
The last piece anyone touches, and the smallest. Twenty millimetres of brand, no room for anything clever.

One team, from identity to intelligence.

Brand, software, AI, and growth from a single team, not separate vendors. That is why the positioning, the copy, the site and the data model on this project agree with each other.

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